Ed Motta is a singer and composer, plays several instruments, makes arrangements and produces music in many different countries. In his own style, while remaining loyal to funk-soul, he mixes influences that vary from jazz to popular Brazilian music, from Hollywood film soundtracks to rock, from classical music to American standards, from bossa nova to reggae. The result of this melting pot of references has already been recognized all over the world and acknowledged in recent tours across Europe, Japan, the United States and South America. Inside studios or on stage, Ed has also played with names such as Roy Ayers, Chucho Valdés, Jean-Paul “Bluey” Maunick (leader of Incógnito), Ryuichi Sakamoto, Paul Griffin, Bernard Purdie, Bo Diddley, Ed Lincoln, Miltinho, Mondo Grosso, Marcos Valle, João Donato, Dom Salvador, among many others.
Ed’s newest album AOR has been one of the most intricate records he’s ever made. In his own words:
“The mixing rate, for instance, was of one week per song. On most records, especially in Brazil, one day is set aside for each song. I used to work with 2, 3 days. One of the greatest talents that I’ve ever encountered in sound engineering, MarioLeo, was the technician in charge. A shining sound is what you want in AOR culture, just like an extremely low bass is in a reggae recording. In the world of pop music, politeness is wrongly taken for coldness, mannerism. In AOR, technical perfection is a virtue, as in jazz and classical music. I am very lucky to have had great musicians by my side, each one’s signature and accent is indispensable so that my arrangements can take on the life and shape I imagine for them. All of them are outstanding musicians, with personality and their own sound and style. And I got lucky: Chico Pinheiro, the bluesy leader of Incognito took part, as well as legendary guitarist David T.Walker, who has recorded just about everything and a little more of North-American music from the 70’s to the present day.”